Of course that isn't a historic understanding, but it does explain in part why the senses of sight and sound might be metaphorically linked. If you want something that might satisfy the "why" of the linking, you might consider that the senses of sight and sound both deal with wavelength frequencies unlike taste, smell, and touch. There is no logical and historical answer. But you still face the conundrum of such terms being in use before the publication. Examples from visual art like "Futurism" or "Dada" come to mind. You might also find treatises, manifestos, etc. The best you will be able to find for origin is earliest known (usually printed) usage. Language emerges collectively out of a culture. You also won't be able to pinpoint and origin for the terminology. The terms could have just as well been "native", "foreign", and "exotic" instead of "diatonic", "chromatic", and "accidental", and the labels would work just fine even though pitches don't have Nationalities. There is no logical reason to choose one particular metaphor over another or to explain the origin of the terminology. Be inspired by the Haircolor Gallery and Redken Style Gallery for your next salon visit CHROMATICS GOES BEYOND GRAY COVERAGE As hair goes gray it can become wiry and unmanageable, losing its youthful look. These three colors are essentially the parents of all the other colors. The three primary colors are red, blue, and yellow. Why is the sense of taste, spiciness, often invoked to describe the concept of dissonance? No matter what color result you want, Chromatics has a shade that's perfect for you. A color wheel consisting of primary, secondary, and tertiary colors All colors come from some combination of primary colors. Why was the sense of sight, color, invoked to describe the concept of non-diatonic with the label "chromatic?" So, it includes even the lightest of pinks and yellows as well. Music theory terms like "diatonic" and "chromatic" are fairly objective (although there is an argument about what diatonic means) but they refer to a system of pitches. However, chromatic colors refer to colors that have even the slightest amount of hue. Objectively, pitch, like color, can only be described as a wavelength frequency. The classic color wheel shows hues arranged in a circle, connected by lines or shapes. Pitch is describe with various terms like "high" and "low", even though pitch doesn't have elevation. Where does green start and end on the spectrum? Color-changing inks, then, are a fascinating study in both chemistry and psychology. People do that, because you can't describe color objectively other than a wavelength frequency. Color affects mood, serves as a powerful visual communicator, alters your physiology and basically plays a tremendous role in human life. How do you describe the difference between crimson and vermillion without circular references to red?Ĭolor are described as "warm" and "cold" even though color does not have temperature. Why is a dog called "dog" in English, but "inu" in Japanese, etc. This isn't a music theory question, and there is no answer.
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